My name is Charles Waters. I am a composer and performer living in Brooklyn. I am originally from North Carolina via Atlanta now in beginning my second (?) decade here in the Big Apple. I started this blog to explain some of my compositional working methods - in particular this new style or form of works that I call CONCERTIMENTO . But also to write about shows I see(a lot), thing I see ( strange!) encounters I have and just basic musical life in my late-thirties. I would be part of what I call the SUBMERGING COMPOSERS GROUP. So first disclosure and second definitions about my work because I think "owning" words about ones art is vital in the post-post modern - what I refer to as REMODERN -times. So first I am rather uneducated in terms of being a 21C composer. I was trained pencil and paper style in 80's with Dr. Scott Meister at Appalachian State University. And still to this day I compose on pen and paper. I have rarely had problems with any one understanding my m...
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Feldmusic - music for out-of-doors -very different then indoor concert music. I have been listening to the birds - I awoke at 4 am Sunday to a choir of birds singing in the rain! I have mentioned before in this blog my love of NYC parks especially the small, forgotten corner parks and tribute squares. These places are an oasis of sound and I'm trying to map that tonal geography! This new work for quartet - 'GREEN DOME LIBERATION SUITE' is dedicated to my second son Avery. I intended for this music to be played in the Green Dome Park which somehow is NEVER open - we need to tear down the gates with tone - music is the power, it can liberated your mind! Scored for flute, clarinet,/bass clarinet, violin, cello - in 8 movements - this is the 'waters motion music' - someday we will play this in the garden itself and I can answer the question "Daddy, why is the park closed?"
BAM, BANG, BOOM!
BAM, BANG, BOOM (156.12) - This piece was written on the side stage at Brooklyn Academy of Music while I was working on a commercial shoot, my day job for 13 years. Such a beautiful psycho-acoustic location. It is the second movement of a long, long series of works entitled "Porch Music" that runs some 13 movements in various combinations of the quintet: trumpet, clarinet/bass clarinet, vibraphone, viola, cello. This work is in three movements, classical style but written in free jazz minimalist fashion. Also the day this was written was the day Steve Ben-Isreal died, famous poet from the Rzewski works so the third movement includes a quote from 'Coming Together' originally narrated by Ben-Isreal. We did a shared a bill once at the Poets' Vision Fest, part of the Vision Festival - I played with my tuba trio, Andrew Barker and Ron Caswell. We had to climb through the second story window to the fire escape and climb back into the garden. I remember B...
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