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GREEN DOME LIBERATION SUITE: 
Flute, Clarinet, Violin, Cello






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New Music 2023

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 2023 and we’ll I heard blogs are back! We’ll it’s been a busy year with house reading of my cantata and trip to Paris in which among many amazing things I played a short solo clarinet set at Cultural Rapide in the 18th..and back in with clarinet orchestra at Greenwich House Music School under direction of maestro JD Parran..truly blessed..more soon..love to hear your feedback on this new work! 
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BAM, BANG, BOOM!

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BAM, BANG, BOOM (156.12) - This piece was written on the side stage at Brooklyn Academy of Music while I was working on a commercial shoot, my day job for 13 years. Such a beautiful psycho-acoustic location. It is the second movement of a long, long series of works entitled "Porch Music" that runs some 13 movements in various combinations of the quintet:  trumpet, clarinet/bass clarinet, vibraphone, viola, cello. This work is in three movements, classical style but written in free jazz minimalist fashion. Also the day this was written was the day Steve Ben-Isreal died, famous poet from the Rzewski works so the third movement includes a quote from 'Coming Together' originally narrated by Ben-Isreal. We did a shared a bill once at the Poets' Vision Fest, part of the Vision Festival - I played with my tuba trio, Andrew Barker and Ron Caswell. We had to climb through the second story window to the fire escape and climb back into the garden. I remember B...
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Sometimes a work requires a different set of rules, a philosophy if you will. This piece Concertimento #9 is one of those pieces, subtitled: "Quartor pour l'assemblage des formes et sons" Scored for a quartet of flute, trombone, harp and chimes! First I developed circular tonal systems( see picture) from which I drew inspiration. Second was the use of quote from the Genevan Psalter (1562) which was a setting of Psalm 19: "The Heavens Declare the Glory of the God" Third was the use of Buddhist chant song harmonized in block formation - i.e. Westernized into a different shape of pattern yet still containing the original meditative intent. But the final work was an assemblage of these elements into a whole functioning work. I finished two versions, one for slightly expanded orchestra. And now as I examine the pieces I'm very tempted to make a third effort. As I've said before I believe that composing is often times an improvisational effort especially in p...
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